At it’s fiercely digital core there’s a powerful and sought after DSP, the notorious Spin Semiconductors FV-1, which we programmed in order to achieve studio-quality delay manipulation, noise reduction and a full organic sound, never dull or too hi-fi. We than added analog LP and HP filters for that saturated warmth you’d expect from a typical analog delay, building a tool capable of delivering the best of both worlds.
We summarised everything we’ve always wanted to find in the delays that have occurred over the years in our music production studios
As every other Benidub effect, the DIGITAL ECHO is designed thinking of it as a musical instrument. Its features and controls are oriented towards both live performances and studio mixing.
The delay time range is 1.2 seconds to 70ms. It can be multiplied, divided and modulated by dedicated controls. Live time-effects has never been easier to achive.
The DIGITAL ECHO features an analog section with inbuilt 12 dB/Oct sweep frequency High-Pass and Low-Pass filters.
To avoid any digital clipping the DIGITAL ECHO features an hard limiter circuit which smooths the loudest audio peaks in a warm and analog way.
12VDC, 1A, center positive, 2.1mm*5.5mm barrel connector.
When active the unit repeats a loop of the last sampled audio.
An LFO modulates the sample rate increasing or slowing down its speed. DEPTH and RATE are regulated by dedicated knobs.
The delay output is sent back to the input to create the echo repetitions.
Sets the output level.
6.BEAT MULTIPLY MODE:
Sets the beat multiply mode, linear or quantised.
When set to linear it works like a normal delay time control, if set to quantised it is divided into 8 preset multipliers.
Works as fine delay-time adjustment.
The mute button shuts down any delayed signal.
HP and LP filters controls.
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